Devilskin delivered a thrilling performance at The Brownzy last night, captivating the fan-packed crowd with their high-energy stage presence and hardcore musical endurance, and giving a final, unified Fuck Yeah to an iconic local pub closing its doors for good.
The Pope’s Exorcist is a supernatural horror film directed by Julius Avery that is equal parts spooky and silly, starring Russell Crowe as Father Gabriele Amorth, and based on Amorth’s real-life memoirs.
The Veils performed to an enthusiastic crowd at Powerstation last night to celebrate the release of their new album, …And Out Of The Void Came Love, featuring spectacular support by Australian folk singer, Grace Cummings.
Counting Crows performed at Spark Arena last night with the same mastery of eclectic sound and charm they’ve shown for 30 years, delighting the audience with their soulful poetry and engaging stage presence.
Shazam! Fury of The Gods is a family-oriented superhero film by director David F. Sandberg that delivers a sugar-high of CGI fantasy, cultural references, and semi-cringe cameos.
Scream VI is the latest attempt to drain the last few drops of bloody inspiration from a dying franchise that, while forgettably enjoyable, is kept alive by a scattering of honourable references and guest appearances.
Cocaine Bear is an action thriller with frequent hits of highly addictive comedy-horror that utilises its ‘80s backdrop and soundtrack to create a brilliantly hedonistic retro bloodfest.
Magic Mike’s Last Dance is a comedy-drama film by Steven Soderbergh that lacks both comedy and drama, while derivatively scraping the barrel of a franchise that lost its magic nearly a decade ago.
Knock at the Cabin is a psychological horror film by M. Night Shyamalan that unfortunately never utilises the impressive on-screen talent or thought-provoking terror of its original novel adaptation.
Tár is a psychological drama film by Todd Field that offers a laborious examination of power, control, and the spiraling effects of losing both when acquired through success in the spotlight of a modern, critical society.
